» Italian Frescoes: The Flowering of the Renaissance 1470-1510 (v. 2)

Italian Frescoes: The Flowering of the Renaissance 1470-1510 (v. 2)
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Rating: 5.0 / 5.00 (3 reviews)


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Manufacturer: Abbeville Press

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Italian Frescoes: The Flowering of the Renaissance 1470-1510 (v. 2) Details

Binding: Hardcover
Dewey Decimal Number: 751.73094509024
EAN: 9780789202215
ISBN: 0789202212
Label: Abbeville Press
Manufacturer: Abbeville Press
Number Of Items: 1
Number Of Pages: 471
Publication Date: 1997-09
Publisher: Abbeville Press
Studio: Abbeville Press


Italian Frescoes: The Flowering of the Renaissance 1470-1510 (v. 2) Reviews

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Extraordinary!
Comment: If you've ever stood in Florence's Santa Maria Novella,looked up at the walls to either side of the altar, and wanted to know more...this book and it's companion volume are exactly what you would wish for. These books are beyond description, both for the quality of their photography and the background and interpretation of the fresco cycles they present. As another reviewer said, please - produce a few more of these beautiful books covering other Italian fresco work!

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: THE ABSOLUTE BEST EVER
Comment: These books deserve a 1000 rating, never have these frescoes been covered this well by anyone. The people who have seen these books would agree they are beyond superb. I have seen some of these frescoes and you cant even get behind the altars to get a dead head on shot and most churches wont let you use a flash for photography.

Even if you could use a flash you would never get the brightness of diffuse illumination these books have captured so well, crisp but all the subtle color blends are captured.

These books allow you to see some details you would not see standing in the churches unless you had binoculars,even then the angle would cause distortion.

The color accuracy is great, it is too bad it is not cost effective to print on a satin surface paper as this would provided some of the glow effect real frescoes have, the sheen surface is unique to fresco alone and hard to reproduce.

Credit not only goes to the author and photgrapher but to Abbeville press for stepping up to the plate, this would have been a publishing risk,and for Abbeville to back such a venture with such outstanding quality puts them at the top of the stack in the world of Art book publishing.

These periods of art will never be re-captured, nor will patrons or artists ever tackle projects of the scope found here. This art represents one of the outstanding moments in human evolution. The treatment of fresco at this level is long overdue as most art books cover oil painting, drawing, pastel, printmaking, and sculpture.

I should also mention the great job they did in selecting artists, with all due respect to the "BIG M" , (Mr.Michaelangelo, the vaticans most abused poster boy ),it is great that other outstanding artists from this period finally are allowed to get out of The Big M's shadow in the publishing world. (For every one book about Fillipino Lippi, there are 50 about Marble Mikey, I love the guy,...TOP CHISEL...TOP BRUSH but his fame has left a lot of other good artists ignored by publishers when it comes to fresco,Raphael gets covered a lot, but never the Hall of Constantine, like Romano did a hack job...)

TO ALL THE PEOPLE WHO LOVE FRESCOES AND THESE BOOKS, PLEASE WRITE TO ABBEVILLE PUBLISHING AND DR. STEFFI ROTTGEN AND SUGGEST THEY CONTINUE INTO THE EARLY, MID, AND LATE BAROQUE AND EARLY NEO-CLASSICAL STYLE FRESOES IN ITALY. MANY OF THESE PALACES ARE NOW CLOSED TO THE PUBLIC SO THE WONDERFUL FRESCOES WILL NEVER BE SEEN, THE ONLY HOPE WOULD BE THAT ABBEVILLE OR SOMEONE LIKE THEM WOULD TAKE UP THE CAUSE.

We need
1) Pitti Palace -Pietro Da Cortona rooms and The Hercules room
NO PHOTO TAKING IS ALLOWED
2) The Altieri Palace - Carlo Maratti,and freinds
3) Barberini Palace - Pietro Da Cortona (Details)
4) The Borghese Palace
5) The Pamphilli Palace and Dore
6) Maybe Luca Girodano at Medici in Florence
7) Farnese Palace
8) Some Conca, Chiari, etc.
there are a whole truckload of fresco's from Baroque Rome
9) some --- Venice, Balogna, and Naples(Tiepolo, Veronese, and Tintoretto are covered in a lot of other books).

These books are well worth the price, keep them coming Steffi!!!


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Best art photography I've ever seen!
Comment: This book (and it's predecessor -"The Early Renaissance")provides a comprehensive and easily approachable - not to mention magisterial - review of the art of fresco painting. The text is authoritative and should satisfy both expert and neophyte alike - but the glory of the book is the colour photographs by Antonio Quattrone. I've been collecting art books for nearly 50 years and have never seen colour photographs to match his magnificent work.For those who are unable to see these frescoes in situ, their beauty - and brilliant colour - will come as a revelation.


Editorial Review for Italian Frescoes: The Flowering of the Renaissance 1470-1510 (v. 2):

Certain Italian fresco cycles, notably the Brancacci Chapel in Florence by Masaccio, Masolino, and Filippino Lippi, are well known. Others, such as Piero della Francesca's work in Arezzo and Benozzo Gozzoli's Chapel of the Magi in Florence, have been reproduced countless times. Yet no publisher - until now - has attempted to gather together and document in extensive photographs the essential fresco cycles of the early Italian Renaissance. The list of works covers the regions of Italy, from the Alpine mountain areas to Puglia, with an emphasis on Tuscany and Florence, the artistic center that gave life to the Renaissance. Italian Frescoes: The Early Renaissance, 1400-1470 opens with a concise introductory text discussing various aspects of fifteenth-century fresco painting: artists, patronage, cultural and historical conditions, technical methods, and questions of local tradition. The central section of the book examines twenty-one fresco cycles, each representing a crowning achievement in this field. A descriptive and interpretive essay introduces each cycle and is followed by a series of full-page and double-page color plates - many of them new photography of recently restored frescoes - covering the entire work.



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